On one occasion they opened for the blues musician Lonnie Johnson at the Royal Festival Hall. Gamblin Man. WebIt was over half a century ago in 1958, as Lonnie Donegan was ruling the charts with Rock Island Line, that Joe joined his first band, the Spacemen Skiffle Group, at the age of 17. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. With three Number 1s (Cumberland Gap, Gamblin Man/ Putting On The Style, My Old Mans A Dustman) as well as having hits that peaked at every position in the Top 10. By 1980, he was making regular concert appearances again, and a new album with Barber followed. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." Donegan was only paid a few pounds for the recording, and received no royalties. Only when the next wave of young rockers came along, who, like Donegan, had their own ideas about music and what they wanted to do with it, did he finally fade from the charts. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. The name "skiffle" was hung on this music as a way of referring to it on the group's posters. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. Shop for Vinyl, CDs and more from Lonnie Donegan at the Discogs Marketplace. Donegan cut his first album, Showcase, in the summer of 1956, featuring songs by bluesmen Leadbelly and Leroy Carr, not to mention moody traditional blues like "I'm a Ramblin' Man" and A.P. It was an enormous hit in 1956 (which also later inspired the creation of a full album, An Englishman Sings American Folk Songs, released in America on the Mercury label in the early 1960s) but ironically, because it was a band recording, Donegan made no money from this recording beyond his original session fee. Bring A Little Water Sylvie Donegan was only paid a few pounds for the recording, and received no royalties. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. It was exceptionally popular among England's teenagers, who accounted for most of its sales. He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Light From The Lighthouse. Donegan was suddenly a star, with a public that wanted more music from him. Tops at Loving You 6. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Lonnie Donegan remains a beloved pioneer of English rock & roll, and the king of skiffle. He formed his own group, the Tony Donegan Jazz Band, in 1952. Colyer quit the group early in 1954, and Barber took over the leadership. It was exceptionally popular among England's teenagers, who accounted for most of its sales. The single had a 22-week run on the English charts, peaking at number eight. Pete Korrison - Mandolin 1955 28, 1957) Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". 3 Tops With Lonnie. For the next six years, Lonnie spent 335 weeks on the Official Singles chart. Stewball The name "skiffle" was hung on this music as a way of referring to it on the group's posters. Smith&Co SSCD1172 LD9, April 12, 1953 Hotel Gentofte, Copenhagen, Denmark (Donegan & Barber), Hard Time Blues (KC 9) Storyville unissued CD1, July 13, 1954 Decca Studios, West Hampstead, London, Rock Island Line (DR 19299-1) Decca FJ 10647 CD1, Wabash Cannonball (DR 19306) unissued CD1, September 27, 1954 Abbey Road Studios, London, October 1, 1954 Concert Hall, Aarhus, Denmark, Precious Lord (JJ 48) Storyville unissued, October 9, 1954 University, Copenhagen, Denmark, Precious Lord, Lead Me On (CB 3) Tempo A116, Storyville A45003 CD1, October 10, 1954 Odd Fellow's Palais, Copenhagen, Denmark, Over In The New Burying Ground (JJ 84) Storyville A45005 CD8, Wabash Cannonball (JJ 86) Storyville unissued, October 30, 1954 Royal Festival Hall, London, Bury My Body (DR 20034) Decca FJ 10695 CD8, c.late October/early November, 1954 Elstree Studios, Hertfordshire, November 9, 1954 Abbey Road Studios, London, Take My Hand, Precious Lord Columbia DB3850 CD1, December 13, 1954 "Jazz Club"(? Singles. The UK King of Skiffle, Lonnie Donegan was born Anthony James Donegan MBE (April 29 1931 November 3 2002) in Bridgeton, Glasgow, before joing Chris Barbers Big Jazz Band. He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." and He formed his own group, the Tony Donegan Jazz Band, in 1952. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. This interrupted his stay in Barber's band but proved a godsend when he was stationed in Vienna for a year, which put him in direct contact with American troops and, even more important, the American Forces Radio Network, which broadcast lots of American music. Single: "Does Your Chewing Gum Lose Its Flavor on the Bedpost Overnight?" The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. I'm A Ramblin' Man It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. The name stuck. Each of those was a success, and eventually "Rock Island Line" came up as a 45 rpm release. function utmx_section(){}function utmx(){} The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. (number three and number five in the U.S.) all in less than three years -- thousands of skiffle groups were springing up all over England. The album sold 60,000 copies in its first month of release, a huge number in England at that time for a debut album by a homegrown jazz group. It was country & western and blues records, especially those by Frank Crumit and Josh White, that really attracted Donegan's interests. As "Rock Island Line" took the country by storm, Decca suddenly had one of the bigger -- and most wholly unexpected -- hits in its history up to that time. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. Listen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Anthony James Donegan [birth name], Tony Donegan, The King of Skiffle, Peterborough, Cambridgeshire, United Kingdom, Live 1957 The Complete Conway Hall Concert, I Wanna Go Home (with Van Morrison) [USA], Bring a Little Water, Sylvie / Dead or Alive, Don't You Rock Me Daddy-O / I'm Alabammy Bound, My Dixie Darling / I'm Just a Rolling Stone, The Grand Coolie Dam / Nobody Loves Like an Irishman, Sally Don't You Grieve / Betty Betty Betty, Lonesome Traveller / Times Are Getting Hard Boys, Lonnie's Skiffle Party (Part 1) / Lonnie's Skiffle Party (Part 2), Does Your Chewing Gum Lose Its Flavour (On the Bedpost Overnight?) Grand Coulee Dam In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." He moved with his mother to London at an early age, after his parents divorced. WebLonnie Donegan Pop - Released by Castle Communications on 1/01/1985 16-Bit CD Quality 44.1 kHz - Stereo Starting at $117.99 My Old Man's A Dustman - The Singles As & Bs 1954 - 1961 Lonnie Donegan Vocal Music (Secular and Sacred) - Released by Jasmine Records on 10/12/2012 16-Bit CD Quality 44.1 kHz - Stereo Starting at $18.99 New artists, most notably Tommy Steele and, later, Cliff Richard, started out playing skiffle music and put their own stamp on the material before moving on to other sounds. www.hillmanweb.com/book/gigs, Rock Island Line b/w John Henry (with The Chris Barber Jazz Band), Midnight Special b/w New Burying Ground (with The Chris Barber Jazz Band), Diggin' My Potatoes b/w I Don't Care Where They Bury My Body, Bring A Little Water, Sylvie b/w Dead Or Alive, Don't You Rock Me Daddy-O b/w I'm Alabammy Bound, On A Christmas Day b/w Take My Hand Precious Lord, My Dixie Darling b/w I'm Just A Rolling Stone, The Grand Coolie Dam b/w Nobody Loves Like An Irishman, Sally Don't You Grieve b/w Betty Betty Betty, Lonesome Traveller b/w Times Are Getting Hard Boys, Lonnie's Skiffle Pt. WebLonnie made his chart debut in January 1956 with Rock Island Line. 2019, Pop - Released by All I Have To Do Is Dream on 15 nov. 2019, Pop - Released by Sanctuary Records on 8 sep. 2014, Country - Released by Black Marlin Records on 29 nov. 2014, Country - Released by Black Sheep Music on 4 jan. 2012, Jazz - Released by Hallmark on 5 mrt. In 1952, he formed the Tony Donegan Jazzband, which played around London. On 28 June 1952 at the Royal Festival Hall they opened for the blues musician Lonnie Johnson. Donegan adopted his first name as a tribute. He used the name at a concert at the Royal Albert Hall on 2 June 1952. 2000, Jazz - Released by RevOla on 22 jul. Les Bennetts - Guitars, Vocals, Bass 1958 Another compelling glimpse of the group can be found in the British jukebox movie The Six-Five Special (1957), based on the popular television series of the period, in which Donegan rips through a killer live rendition of "Jack 'O Diamonds," as well as a fine cover of Woody Guthrie's "The Grand Coulee Dam." All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." In 1967, His song "I'll Never Fall In Love Again" was a #1 US,#4 UK Pop hit for, ("Mule Skinner Blues", "Ham 'N' Eggs", "Nobody's Child", "Ham 'N' Eggs"), ("(It Looks Like) I'll Never Fall in Love Again"), (" (It Feels Like) I'll Never Fall in Love Again"), ? '.webs.com' : 'none'; --> His stint in this group was interrupted, however, when he was called up for National Service in 1949. '&utmxhash='+escape(h.substr(1)):'')+'" type="text/javascript" charset="utf-8">')})(); WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. The disc closes with Donegan's arrangement of "Love Is Strange," cut under the direction of Joe Meek (who suggested the clinking bottle percussion) and given a beat that makes it sound more like a calypso number. Don't You Rock Me Daddy-O He formed his own group, the Tony Donegan Jazz Band, in 1952. WebLonnie Donegan, MBE (born April 29, 1931, Bridgeton, Glasgow, Lanarkshire, Scotland died November 3, 2002, Market Deeping, Lincolnshire, England) was a Scottish skiffle vocalist, Note: The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. The name stuck. WebLonnie Donegan discography and songs: Music profile for Lonnie Donegan, born 29 April 1931. He also played in Ken Colyer's group. Donegan's attempt at a recording comeback late in the '60s was unsuccessful, but in 1974, a new boomlet for skiffle music in Germany brought him on tour and into the studio anew, and the following year he and Chris Barber toured together and recorded a new long-player, The Great Re-Union Album. Wright, a jazz player devoted to Django Reinhardt, proved to be one of the best blues axemen in England at the time, while Ashman and Nichols made up an exceptionally tight rhythm section. He began playing guitar around London, and going to the small jazz clubs springing up around the city. Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. They found the record's rhythm to be infectious and its sound alluring in a way that no record by anyone from England ever had before. The record was a hit, racking up sales in the hundreds of thousands. The name "skiffle" was hung on this music as a way of referring to it on the group's posters. Bring a Little Water,Sylvie His next single for Decca, "Diggin' My Potatoes", was recorded at a concert at the Royal Festival Hall on 30 October 1954. In 1976, however, after another series of shows and recordings in Germany, Donegan suffered a heart attack that left him sidelined, and he moved to California to recuperate. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. ), BBC Radio, London, April 18, 1955 "Jazz Club", BBC Radio, London, May 9, 1955 "Jazz Club", BBC Radio, London, (In The Evening) When The Sun Goes Down CD8, May 19, 1955 IBC Studios, London ("Backstairs Session"), Harmonica Blues (CB hca) Polygon unissued CD1, January 9, 1956 "Jazz Club", BBC Radio, London, January 11, 1956 IBC Studios, London ("Skiffle Session"), The Ballad Of Jesse James (DB vcl) Nixa NJE1017 CD1, ?? Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." Lonnie made his chart debut in January 1956 with Rock Island Line. In 1978, however, he was back in the studio, recording the album that was his first chart entry in 15 years, Putting on the Style, an all-star skiffle-style album that teamed Donegan with Ringo Starr, Elton John, Brian May, Peter Banks, and other stars and superstars of rock who owed their entry into music to "Rock Island Line." He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. He is referred to as the "King of Skiffle" and is often cited as a large influence on the generation of British musicians who became famous in the 1960s. Nobody's Child 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. This group recorded two excellent blues numbers with Lonnie Donegan as vocal called "In the evening when de sun go down" and "The Midnight Special" After a year, Ken colyer stormed out of the group and Chris Barber took over. Carter's "Wabash Cannonball." He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. Donegan heard it all, even -- by his own admission -- stole a couple, and absorbed every note. Brian Simons - Washboard 1958 WebLonnie Lonesome Traveller. Gamblin' Man Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. The details on the right-hand side refer to the CD in the Bear Family 8-CD set More Than Pye in the Sky and also to other items in my own collection. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. WebFecha de Nacimiento: 26 de febrero de 1971 Biografa Es una cantante estadounid The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. . The record was a hit, racking up sales in the hundreds of thousands. 2021. What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. Feel free to contribute! Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen. above March 1958 sessions, Pye Studios, London, Baby Don't You Know That's Love unissued CD3, c.October 1958 poss Pye Studios, London (Les Bennetts, gtr), Lonnie's Skiffle Party - Pt.1 N 15165 CD3, Bewildered ("Relax with Lonnie") NEP 24107 CD3, c.November 1958 Scottish TV Studios, Glasgow, Does Your Chewing Gum Lose Its Flavour N 15181, P 2042107 CD4, My Only Son Was Killed In Dublin (Dying Rebel) unissued CD4, Battle Of New Orleans ("ruddy British") N 15206 LD2, Battle Of New Orleans ("bloomin' British") N 15206 CD4, c. early September, 1959 Royal Aquarium, Great Yarmouth, September 10/11, 1959 Pye Studios, London (Clyde Valley Stompers), October 22, 1959 Pye Studios, London ("Lonnie Rides Again"), Talking Guitar Blues (British version) N 15237 CD4, c.February 1960 Gaumont Cinema, Doncaster, My Old Man's A Dustman (alt) Polydor 2042 107 LD8, March 5, 1960 New York City ("Yankee Doodle Donegan"), Nobody Understands Me NEP 24127, Atl 2063 CD5, March 10, 1960 New York City (George Barnes, gtr), Sorry, But I'm Gonna Have To Pass NEP 24127, Atl 2123 CD5, Black Cat (Crossed My Path Today) N 15312 CD5, c.August 1961 Winter Gardens Pavilion Theatre, Blackpool, I'll Never Fall In Love Again N 15446 CD6, I'll Never Fall In Love Again (alt) unissued CD6, c.May 1962 Pye Studios, London ("Sing Hallelujah") (Denny Wright, gtr), Good News, Chariot's A'Comin' NPL 18073 CD6, Noah Found Grace In The Eyes Of The Lord " CD6, c.November 1962 poss Brighton, Sussex (w. Max Miller), Cajun Joe (The Bully of the Bayou) (F639) Hick 1345 CD7, Fisherman's Luck (F640) N 15679, Hick 1267 CD7, Louisiana Man (F641) N 15893, Hick 1299 CD7, Interstate Forty (alt) (F642) NPL 18126 CD7, There's A Big Wheel (F644) N 15679, Hick 1267 CD7, Lovey Told Me Goodbye (F647) Hick 1299 CD7, c. early 1965 IBC or Marquee Studios, London ("The Folk Album"), Where In This World Are We Going " , N 15993 CD7, c.June 1965 IBC or Marquee Studios, London, c.October 1966 poss London (Joe Brown, bjo), Who Knows Where The Time Goes " ,F12984 LD1, Come To Australia (Great Uncle Albert Is Dead) Intercord 145001 LP, Jump Down, Turn Around (Pick A Bale of Cotton) Ariola 12604 LD5, 1974 Peer Studios, Hamburg, Germany ("Lonnie Donegan Meets Leinemann"), Does Your Chewing Gum Lose Its Flavour " LP, 1975 Peer Southern Studio ("Lonnie Donegan Meets Leinemann - Country Roads"), 1975 Bonn, Germany (Chris Barber Great Reunion Concert), June 5, 1975 Fairford Hall, Croydon ("The Great Reunion Album"), Does Your Chewing Gum Lose Its Flavour Intercord 145 001 LP, Hit Me Across The Head With A Spoon Mama " LP, March 2, 1977 Air Recording Studios, Oxford St., London (Wrigley's Jingles), 1981 ("The Shakin' Pyramids & Lonnie Donegan" EP), June 5, 1981 ("Lonnie Donegan Jubilee Concert"), 1984 ("Hooked On Number Ones - 100 Non-stop Hits"), 1987 (Monty Sunshine - "Mama Don't Allow"), Ma, He's Making Eyes At Me Pinorrekk HB-P-7012, Issued 1998 ("Muleskinner Blues") (with Van Morrison *), This album was originally called Rock Island Line Rolls On. His taste in jazz went toward Louis Armstrong and Gene Krupa. Darling Corey, Tops With Lonnie ~ 1959 He also gained access to more American records than ever before, courtesy of the U.S. soldiers serving in the city. Frankie and Johnny, Lonnie Donegan Hit Parade -- Vol. Sorted by Bestseller, Vocal Music (Secular and Sacred) - Released by Jasmine Records on 10/12/2012, Folk - Released by M. i. G. - music on 30/09/2016, Pop - Released by Castle Communications on 1/01/1985, Pop - Released by Sanctuary Records on 11/04/2000, Rock - Released by Castle Communications on 1/09/2016, Folk - Released by Before 1962 Recordings on 17/09/2020, Rock - Released by Vantage Music on 4/10/2016, Folk - Released by Bridge Pa Digital on 28/05/2019, Pop - Released by Sanctuary Records on 12/12/2000, Pop - Released by Castle Communications on 1/01/1957, Pop - Released by Retro Music Box on 25/06/2020, Pop - Released by Weishaupt Music & Entertainment on 3/05/2017, Country - Released by Master Tape Records on 10/10/2019, Pop - Released by All I Have To Do Is Dream on 15/11/2019, Pop - Released by Sanctuary Records on 8/09/2014, Country - Released by Black Marlin Records on 29/11/2014, Country - Released by Black Sheep Music on 4/01/2012. 1 EP (Feb. 20, 1956 Additionally, Donegan was extremely charismatic as a performer, and not just within the context of his time -- he would have found some kind of audience at almost any point in the 1950s in England. Donegan had never even held a banjo before but agreed to come to the audition, then bought a banjo and tried to fake his way through the try-out. Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950s. Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. The master of ceremonies at the show made a mistake in his announcement, introducing the American guitarist as "Tony Johnson" and the British banjo man as "Lonnie Donegan." It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." 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